Last week I had the opportunity to see The Barber of Seville, which was the final show in the 2017-2018 season for the Lyric Opera. I was once again reminded of how vibrant the Kansas City performing arts scene is and how fortunate we are to have access to so much quality. If you aren’t taking in some of these wonderful performances, you are doing yourself a disservice.
About five years ago I started to develop a deeper interest in the performing arts, but I had no idea where to start. So I went to my good friend Greg and asked him to teach me, and we’ve been going to shows together ever since. Over the past several years, I have taken in countless performance, particularly at the KC Rep, Unicorn Theater and the Kauffman Center for the Performing Arts. As with every other form of creative content, I was amazed at how vast and diverse this medium was. I have also gotten to see the amazing level of creative talent we have in this community and the level of talent we are able to bring in.
There is something unique about taking in the performing arts, you are sharing air and space with the actors, which makes you a part of the work itself. No other medium offers that direct of a connection.
This season at KC Rep was one of the best in recent memory, which is saying something considering the have all been great. It kicked off with Between the Lines, which is Broadway bound and has music that can blow the doors right out of the theater and took on the Tony Award winning A Curious Incident of the Dog in the Night-Time (which was based on an award-winning book), a play that examines autism in a unique way, a prospect as difficult as it is rewarding. And in between I had Sex with Strangers, built Fences and a Demon Barber named Sweeney Todd offered me a haircut.
Although I only went to two of the four operas the Lyric offered this year, The Barber of Seville instantly became a favorite. And their 2018-2019 season looks incredible to the point where my friend and I are getting season tickets. This is in part due to their season opener, West Side Story, which will almost certainly sell out. Plus saying that I have “season tickets to the opera” makes me sound much more fancy than I actually am.
And if you are looking for edgy, look no further than the Unicorn, whose tag line is “Bold New Plays.” In recent years I have seen plays about a dystopic future where the Simpsons are worshipped as Gods, to a play challenging the ideas of race and racism in very darkly comedic ways, to modern re-imaginings of classics such as The Seagull. They are also dedicated to making quality theater affordable to everyone by offering special “pay what you can nights” for each show.
These are just the main three venues I frequent, there are countless others around town including the Just Off Broadway theater, Starlight and the annual Shakespeare in the Park Festival which I have seen each of the past 15 years.
If you haven’t yet taken in some of these wonderful performances, then you really haven’t realized why we are called the Paris of the Plains.