Adjust Your Twig and Giggleberries

Adjustment Day

I need to disclose something before we begin. Chuck Palahniuk is my favorite author. As far as I’m concerned the man could make a grocery list compelling and engaging. And since this was his first novel in 4 fucking years (1460 days, 35,040 hours, 2,102,400 seconds) I could not wait to devour it. Which I did. In one sitting. And I’m still sucking the juices off my fingers.

But more importantly than reviewing the book, this post provides me a great opportunity to tell the story about the time that I shared a stage with who my friend Bryce and I now call “Our good friend Chuck.”

A few years back he came to Kansas City promoting his short story collection Make Something Up: Stories You Can’t Unread and Fight Club 2, a 10 issue limited comic book series (I have signed copies of both). My friend and I not only jumped at the chance to see the awesomeness live, but were also first in line for our first come, first serve seats.

As we came bounding down to the front row, beers and signed first editions in hand, the man himself was checking out the theater before going back stage. I would love to tell you that we had a wonderful and engaging conversation about fiction and literature and the arts, and that I impressed him with my eloquence and knowledge and wit and we are now writing partners.

Fuck, I’d settle for being able to tell you I got through the words “It’s an honor to meet you” without stuttering and fighting the urge to pass out.

He chuckled and took my awkwardness in stride, and said that he was gonna count on us to help him out later. We thought it was a throwaway line, but in that moment it was our throwaway line.

The event was glorious in all the ways you would expect. He has a rabid following and we all drank in his readings from the story collection, the answers he gave to audience questions. Broken up by playing “balls,” a game of batting balls filled with glow sticks around the dark theater. We cultists like exercise with our culture.

Then, at the end, as Chuck’s new trusty friends we were summoned, no beckoned, to join him on stage to help distribute the parting gifts to the masses.

You have not lived until you’ve been on stage with your favorite author, throwing boxes and boxes of severed hands into a hungry, ravenous audience.

To this day I go out of my way to find excuses to tell this story.

“Oh, you got a new car (or kid, or wife, or dog, basically insert object here)? That’s great! Have I ever told you about the time I was on stage with Chuck Palahniuk?”

“I heard you’re dog (or dad, or wife, or kid, or car, basically insert object here) died. I’m so sorry. You know what might cheer you up? Have I ever told you the story about throwing severed hands off a stage with my friend Chuck?”

Yes, I’m an asshole. I absolutely own that shit.

But enough about that, let’s talk about Adjustment Day. The key to good satire, especially dark satire, is to give people a safe place to laugh at the darkest corners of their nature. The key to great satire is to force them to address those dark corners without them knowing they’re doing it.

Jumping into issues of racism, misogyny and bigotry both headlong and feet first takes quite a bit of contortionist maneuvering. And balls. Big, brass, hairy, sweaty balls.

And this book has all of that. And fuck if it isn’t timely in the era of MAGA Trumptards sending their kids to Hitler Youth summer camp.

As with all of Palahniuk’s books, it takes the reader a while to piece together what is actually going on. His non-linear story telling and a fast paced diction propel the reader through the pages at a dizzying pace. If you want to understand what’s going on and keep up, you have to earn it. But rest assured you’ll be glad you did as you follow a variety of POV characters through the challenges of the Brave New World left by what became known as Adjustment Day.

There is a passage early in the book that sets the tone for the novel:

For generations pop culture has been promoting the idea that all men will eventually attain high-status positions in society. Globally, today’s young males have been raised to feel entitled to power an admiration as a birthright. Men in general need to accept their diminished status in the world.

And a little further in we get another nugget of wisdom:

A hard dick was never scared. Porn did to him what spinach did to Popeye or rage to the Incredible Hulk. Putting him in a state where he could Where’s Waldo the ceiling of the Sistine Chapel and never find God because the butts of all the angels are so infinitely fuckable.

Porn made Walter a ruthless wolf pack of one.

Speaking as a male, we will never stop mistaking virility with vitality. And it will always keep us in a state of fear masquerading as strength.

For me, this is a direct call back to several lines from Fight Club:

You are not special. You’re not a beautiful and unique snowflake. You’re the same decaying organic matter as everything else. We’re all part of the same compost heap. We’re all singing, all dancing crap of the world.

I see in the fight club the strongest and smartest men who’ve ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we’ve been all raised by television to believe that one day we’d all be millionaires and movie gods and rock stars, but we won’t and we’re slowly learning that fact. and we’re very very pissed off.

In fact, the whole tone of the book seems to be a throw back to Fight Club. When Palahniuk collapsed the protagonist, antagonist and narrator into one character, he drew stark, searing attention to man’s individual battle for his own soul. The book is the ultimate man vs. himself story, with a message that still slithers through my spirit today.

Adjustment Day draws that same searing attention to mankind’s soul, at least in our nation. The novel essentially says: “Okay bunglecunts, you think races and orientations shouldn’t intermingle? Go suck on this for a while.”

The creation of a website that contains a list of people to be executed Purge style on adjustment day speaks to a level of violent angst that many are feeling about the direction of the country right now. Complete with an all but realized threat to re-institute the draft so that world leaders can blow their load watching the porn of a World War III is terrifying. It causes us to realize how close we are to living that as a reality.

Dark satire hurts the most when it’s closest to the light of truth.

And the whole idea of cutting off the ears of those on “The List” is steeped in some pretty delicious symbolism. From a callback to Native Americans scalping their prey to the idea of taking the ears of politicians and educators because they never listened, with Palahniuk there is always beauty and purpose in violence.

Splitting the United States into three new nations of Caucasia, Blacktopia and Gaysia was also a stroke of genius, showing how each nation-state would choke on its own xenophobic bullshit and hypocrisy no matter how much it tried to play up its strengths and kill its weaknesses. The POV of the chieftains in Caucasia and Blacktopia and of a straight woman trying to make in Gaysia drew both striking contrasts and parallels.

But back to the twig and giggleberries for a minute. From Walter’s obsession with an erection being a source of power to Charlie’s manliness being reduced to goo by some well-placed spider bites and a sprinkle of patience shows how dangerous and misguided my gender’s obsession with our junk really is.

A truly great metaphor for how becoming obsessed with power can cost us control.

Most fiction provides a brief escape from reality in addition to insights and lessons into self and soul. I’m afraid that this one also provided a glimpse into what America’s could become.

There were many things to love about this book. But the thing I love the most is that my “Good Friend Chuck” is back.

Creative Favoritism

Creative Differences

I’m sitting here re-watching the show 24. The post I want to write about going back to old favorites doesn’t seem to want to come crawling out of my head. Nor do the thoughts about a post about how creative people experience the world differently. Instead they just want to play peek-a-boo.

Then I realized that I’m an idiot. These posts don’t have to be mutually exclusive. Not entirely. The way I see the world as a creative is one of the reasons I always have an old favorite on in the background when I work.

I am a writer. I am a creator. I see beauty, inspiration and story everywhere I look.

I’m not a big fan of silence. Unless I’m meditating, reading, editing or taking in the gorgeous views of nature I really don’t have much use for it. Even when I write I have something on in the background. It helps me focus. I’m weird. And I accept that.

Hell, I don’t even sleep in silence. I sleep with either the TV, Stitcher, Overdrive or Audible telling me a story. Yes, I am 39 years old and still fall asleep being read bedtime stories. You should try it sometime, you might like it.

Then again I am also a notorious insomniac and maybe the voices just keep me company.

But the fact is, there’s so much content across all these different mediums that it would be impossible to consume it all and have any kind of actual life. So why waste time going back to old favorites, or things you have seen before?

To be fair I’m not sure that I would if we didn’t live in a world where access to these things came with my streaming services. I would not actually pay real cash money to watch something that I have already seen. I spend enough as it is.

I have a few different reasons for doing this.

One, as I said, I am not a big fan of silence. I feel more comfortable having something on in the background. I have lived alone for years, and absolutely love it, but the silence can get claustrophobic. In this way, I’m similar to people who like having the radio on in the background at work, or while they are tooling away in their garage. I just do it with TV I have seen before.

I also go back to these old favorites because seeing them before means they won’t distract me from what I am doing. It’s one thing to listen to something new while driving or cooking or cleaning, etc. But when I am in the middle of trying to write a post, or a podcast script, or a story or a novel outline, I need to be hanging on my own words, not theirs.

The two shows that I most frequently go back to are West Wing and LOST, which also happen to be my two favorite shows (I’m in the minority I actually liked the ending of LOST). At this point, I could probably recite each episode line by line.

Since I spent years both as a political consultant, and stuck on a remote island, it makes sense that these shows would speak to me. Okay, so only one of those things is true.

But there are only so many times you can re-watch a show. You need some other pieces to throw on this fire. My most recent three have been X-Files, House and currently 24 (which all originally aired on FOX now that I think of it).

If watching Star Trek and Lost in Space re-runs with my mom created my love of Sci Fi when I was a kid, X-Files solidified and turbo-charged it. For a bit, I actually wanted to be an FBI profiler so I could be just like Fox Mulder.

House is the only medical drama that ever actually gripped me (no, I wasn’t an ER fan, judge me if you want). It was based on the character Sherlock Holmes, also not one of my favorites. The fact that two things I didn’t really care for could be blended to create a show that unique and delicious is what creating is all about.

And 24 brought a truly game changing format to the TV medium. Never before had a television show spent an entire season covering one day, hour by hour. Events occuring in real time. Even in the always fast-paced spy game genre, there was a danger of things moving at a snail’s pace without ingenious writing.

Those are the most recent three. The examples go on and on.

None of these shows have much in common other than their quality. And even though I just have them on in the background, I still see something new each time I watch.

The concept of learning something new everytime you go back to an old favorite, or a classic, was a favorite mantra of one of my lit instructors in college. I was so inindated with new material to read and analyze, the concept went right over my head at the time.

I get it now.

Plus there is just something comfortable about having them on in the background. And I swear to God it helps me be a better creative. It keeps me motivated. And makes me hungry.

I see the awesomeness of these shows that I love and get inspired. It creates a feeling of being nurtured and pulled in the right direction all at the same time. It feels like home.

Creatives see the world differently. We find inspiration everywhere, even from the ghosts of content past while we write in the present, to make it our future.

The Banshee’s Wail: Your July Horror-Scope

Banshee

Welcome to the first installment of a new feature here on Typos of Life: your monthly horror-scope, where predictions about your demonic treachery await.

July Overview: The summer heat is prime time for the Devil’s demons to run. Led by the vocal banshee before shifting on the 22nd to the manipulative fae can leave all creatures with a sense of whiplash, and a good reason to grow eyes in the back of your head.

Aquarius (Jan 20th – Feb 18): The summer heat combines with the violent vocals of the banshee, wreaking havoc on your shy and quiet tendencies. This allows the aggressive aspects from your ruling planet Uranus to come out and play. The vampire inside you seeks shelter from the sun. But you’ll spend the precious hours from dusk to dawn exsanguinating the bodies of all who cross your path.

Pisces (Feb 19 – Mar 20): The abilities of your shapeshifting nature are stifled by the July heat, leaving you feeling like a fish out of water. As you give in to your desire to escape reality, the nefarious fae gaslights your consciousness, making you believe that you are helping those you care for. Until you wake up in a pool of their blood, no memories of your actions against the corpses splayed before you.

Aries (Mar 21 – April 19): The heat of the month is maddening, heightening your inclination to take action without thinking it through. Longer days leave your werewolf caged for far too long. So you take matters into your own hands during the day, your violent temper ripping the limbs from those that seek to contain you, gnawing on the tantalizing flesh once night falls.

Taurus (Apr 20 – May 20): July’s temperament is the perfect environment for your inner hellhound to run wild and inflict carnage on your enemies. Normally practical and reserved, the cries of the banshee put you in a feral state of unquenchable bloodlust, no matter how many times the spoils of your claws refill your dish.

Gemini (May 21-Jun 20): It’s your deepest hope that your doppelgänger will keep you safe from the beasts that run this time of turmoil. But you cannot fight the angst and anxiety of being heat’s captive, the rising temperatures melting your once gentle nature. Your victims this month will include those close to you, manipulatively sucked in by your two-faced demeanor.

Cancer (Jun 21 – Jul 22): Your banshee runs the show for the lions share of this month, making the entire world yours to do with as you choose. Issues with controlling emotion and seeing clearly nearly allow your victims to turn the tables. But you regain control when your ruling body, the moon, lays its steady hand  on you. Your violent cries ultimately controlling the beasts around you through fear and searing sonic pain.

Leo (July 23 – Aug 22): As your ruling body is the sun, you find yourself with enhanced energy during the summer. And your ruling creature fae takes over later in the month, increasing your power. Although your lion’s roar can keep pace with the banshee’s cry, your arrogance could be your downfall, and you could find yourself left swinging from the end of a rope created by your own manipulations.

Virgo (Aug 23 – Sep 22): The demons ruling the roost this month conflict with your normally angelic sensibilities, but Lucifer was once an angel too. Your more nefarious side burns inside you as your worry for society turns inward and becomes paranoia. It will take months to find the bodies of those that go missing for trespassing on your house.

Libra (Sep 23 – Oct 22): Your normal love for the outdoors is suffocating in this heat, leaving you feeling trapped. This feeling will leave your nymph energies turned in an odd direction. Sex is your ultimate weapon as sexual pleasures manifest themselves as violent acts against your suitors. Each violent orgasm leaving you hungry for more.

Scorpio (Oct 23 – Nov 21): Your siren song could meld in unison with your sister banshee this month, but it could just as easily lead to a street fight of shattered windows and souls. Your jealous nature could rear its ugly head as your distrust and violence toward others leaves its mark on those that make the mistake of answering your call.

Sagittarius (Nov 22 – Dec 21): As your ghosts can only come out at night, you find the long days and searing sun to be confining, leaving your rage to backbuild as the darker hours grow near. You spend your nights continuing the terrors caused by other demons during the heat of the day, ensuring that the weary and exhausted souls around you know no rest.

Capricorn (Dec 22 – Jan 19): The mermaid inside you wants nothing more than the tranquil coolness of water this month. However, water can’t save you from the banshee’s cry becoming a catalyst as you begin expecting the worst. Your more aggressive nature is unlocked, leaving your blood to boil as self-preservation causes you to you poison all of those that dare try to join you for a swim.