Welcome to The Oyster

This is the second week of me chronicling my year of new experiences. You can check out the first week here.

This week’s tale starts once again with Meatless Monday, brought to you by Top Ramen (and a bunch of other shit). My inner frat boy was grunting, growling, and salivating as I pulled the ramen package out the cupboard. He proceeded to go cross-eyed with confusion as I lined the counter with veggies and eggs. His shock complete as he watched adult me prepare to cook in an actual pot, even though the microwave was right fucking there.

This isn’t the first time I’ve dressed up ramen, but I just recently realized that I didn’t have to add meat to make it a meal. It was time to go nuts.

I splurged and made two soft boiled eggs, cooking them up in the same spiced veggie broth I was using for the noodles to save time because veggies make me smart. Then I packed it full of roasted red peppers, snow peas, celery, carrots, broccoli, and mushrooms.

In short, I adulted the fuck out of that ramen.

With all the attention on my stomach, my ears were feeling ignored.

I’ve heard fiction podcasts referred to as “television for your ears” and I have yet to come up with a better descriptor. A blend of old-time radio dramas and modern storytelling can help liven up even the most mundane tasks.

The Oyster is a dystopic podcast best summed up by the line “the shadows were much more comfortable uncharted.”  Across seven episodes the drama tells the story of a president who turned democracy into a dictatorship, a systemically racist event called The Sorting killing 20% of the population so that the remaining 80% could fit underground, where they had to live because global warming fucked everything up and mother nature put us in timeout, and everyone is becoming more addicted to digital realities, ignoring the real world, and becoming mindless sheep.

The first novel I ever studied in a college was Brave New World, and the blockbuster movie The Matrix came out a year later. I can feel the influence of both pulsating throughout this story.

Horror doesn’t scare me like it used to.  But a dystopic future that hits a little too close to present reality?

Take my money and torture me slowly.

Speaking of books, this will come as no surprise, but I’ve always had a thing for bookstores. When I was in high school, my friends and I used to hang out at Barnes & Noble. You read that right, my friends and I used to hang out at a bookstore. For fun. On purpose. The kicker is, there wasn’t a Barnes & Noble in Grandview, we had to drive across the state line.

Fuck we were dorks.

Then when I was a young adult I lived on The Plaza. I’d cruise the aisles of B&N with a cup of coffee, breathing in air saturated with pulp and ink, listening to the whispers of authors long dead and the screams of writers newly born.

The first thing that caught my eye about this locally owned treasure was the name, Wise Blood. A bookstore named after a Flannery O’Conner novel that I studied in creative writing?

You had me at hello.

Ensorcelled by so many written words, my blood pressure instantly dropped by twenty points. Being swaddled by so many pages had me cooing as I perused the eclectic selection of new and used books, quietly debating what to take home as spoils from my journey.

I settled on two homegrown gems. This Is the End of Something but it’s Not the End of You by a local author named Adam Gnade, and an anthology series, Kansas City Noir, neither of which I would have never discovered if I hadn’t popped in.

Famished from my travels, I headed toward Mario’s Deli. It’d been years since I’d had their famous grinder and I could practically taste it as I walked down the block. What I didn’t realize was that Mario’s closed in 2017. I needed a plan B.

Mickey’s Hideaway called to me like a siren, and my stomach hungrily followed her song. Mickey’s was in the old McCoy’s space, a haunt from my misspent youth.

The layout was the same, some bones don’t break, otherwise there wasn’t a flicker of the old place in the joint.

McCoy’s was relatively unremarkable. The fact that it was comfortable and known is what kept it in business for so long. Mickey’s on the other hand had a striking combination of a contemporary feel with a fireplace and exposed brick coupled with wallpaper of black and white photos. The styles should have clashed, except they didn’t.

Until the moment I walked in, I had forgotten that it was Restaurant Week. Every year, I tell myself I’m going to let my inner fat boy take the reins for that week, pocketbook be damned. Then I forget until it’s too late.

The gods of gluttony wanted me to partake just once in 2021.

And they really wanted me to have a Smoked Chicken-Chorizo Fundido appetizer with chihuahua cheese, manzana sofrito & street tortillas. I don’t know what half that shit is. I do know I licked the bowl clean.

Still not satiated, I engulfed a Short Rib Grilled Cheese with white cheddar, fontina, caramelized onions, horseradish aioli, and parmesan fries. I left with a food baby in my womb and it was beautiful.

But on most days, home is where the heart is. And with the heart goes the stomach.

When I got my air fryer, it came with a small cookbook that I only kept for the cooking times cheat sheet. Idle curiosity guided me to a simple recipe for Inside Out Dumplings, which are essentially meatballs with water chestnuts and ginger.

But now I get to say I’ve made dumplings from scratch.

I’ve never seen the point in meatballs. If your not making a burger, what’s the point of molding ground beef (or in this case turkey) into anything? But this is a year for new things, so I decided to try it, if only for the fact that I’d never bought water chestnuts in my life.

Lean ground turkey was the absolute wrong choice when making meatballs. It’s sticky and after molding the first one you are stuck with clumsy meat hands until you’re done. Neanderthals who hit things with clubs have more dexterity than a 41-year-old manchild with meat hands. And these meat wads did not resemble the photo in the book. My meat wads were not photogenic.  

Thank God I’m single and wasn’t cooking for a date.

I paired my meat wads with Black Narcissus, a mini-series that had been staring down on me from Hulu for quite a while. It checked quite a lot of boxes. Historic fiction. Check. Supernatural elements and religious imagery used for dark purposes. Check. On FX which has a kick ass track record when it comes to dark content. Check. Watching that was the longest three hours of my entire fucking life.

It was like watching nuns watch paint dry in a convent. In India.

The highlight of my evening was when I figured out the male lead also played Nick Cage’s brother in Face/Off. But Nick Cage wasn’t there this time. Nick Cage turned this down.

You have to pack a lot of suck into a script for Nick Cage to tell you to keep your money.

Between the meat wads and the mini-series, date night with myself did not go well. In fact, I didn’t even score.

After that I needed to get the fuck out of my house.

Hyde Park is so old that it was originally part of the City of Westport before it merged with Kansas City in 1897. And I found my forever neighborhood when I moved here from South Plaza seven years ago.

Janssen Place, a subdivision where nineteen captains of Kansas City industry gathered to build magnificent homes back at the turn of the twentieth century, is hidden within the folds of my awesome neighborhood. And I have been running among them for years. Until this past Sunday I had never once taken the walking tour, complete with pamphlet.

Taking on a mission of this magnitude in the frozen tundra of the outside world required fuel. My first stop was at newer, more modern Hyde Park staple, Mother Earth Coffee.

I should probably mention that I fucking loathe coffee shops.  They are douche sacks dripping in pretention. As such, the persnickety attitude of my barista was on brand and predictable.  I wanted to tell him that that rosewater scented body spray wasn’t washing away his sins, but he would have held my coffee hostage.

The coffee was good enough for me to buy a bag to keep at my house, so I could support this local business without having to ever set foot in it again.

Fueled by an egg and bacon croissant and with an organic dark roast to keep me warm, I let my stroll through KC’s past begin. The sun had come out and it had turned into a vibrant morning.

On my journey I learned that Janssen Place was developed by Arthur Stilwell, who founded KC Southern Railroad, which is still a giant today. The iconic limestone gateway was designed by architect George Mathews, who studied under Henry Van Brunt, who was enough of a heavy hitter to have a boulevard named after him. I also learned that my favorite house, the house I’m going to buy when I hit it big like Stephen King, is called the Pickering Mansion. This brick and stone structure was built by the VP of the Pickering Lumber Company which at the time was among the largest lumber companies in the world. It also turns out that I’m into Italianate Revival architecture, such a renaissance man am I.

I also learned that the actual Hyde Park was the first golf course in Kansas City, the Kenwood Golf Links. I’ve driven, walked, and ran past it thousands of times and never realized I was driving past the place that introduced the full-bodied frustration that is golf to my native city. I may or may not have mimicked my god-awful golf swing in salute. Passers by may or may not have wondered if I was having a stroke (see what I did there).

I did have one more experience that I wasn’t looking for this week. I got stuck in a fucking elevator. Like the had to call the fire department, get me the fuck out of here, stuck in an elevator.

At first, I didn’t believe it was happening. This shit only happens on TV.

In all honesty, it could have been worse. After all, I remembered to take a piss before heading out, just like my mother taught me. So that was a small mercy. But fuck that elevator went from small to suffocating in the blink of an eye. I will never look at the phrase “the walls are closing in” quite the same way again.

Time works differently in a broken elevator. Just as you are suspended in air, so are you suspended in reality. I was certain that weeks, maybe years, had passed since I first lost contact with the outside world. At a minimum I figured I missed the Chiefs game and Biden’s inauguration.

Turns out it was less than thirty minutes. Our fire department rocks. I made kickoff and my fur niece and nephews nursed me back to health.

Fur baby snugs can solve everything.

I Have Spirit Yes I Do

SOTP Podcast image

Over the weekend I launched my podcast, Spirits on the Plains, releasing it into the world. It’s about the ghosts, spirits and demons from the most haunted region west of the Mississippi. It’s available on all the major podcast directories as well as at www.spiritsontheplains.com. But this post isn’t about promoting the podcast and telling you to go listen to it. Although it’s awesome and you should. This is about the road to getting it made. This is about the pride that comes from seeing sweat equity turn into something tangible.

This is about me being proud of myself for this and sharing that experience.

I had zero fucking clue what I was doing when I started this project. Well, I knew how to listen to podcasts, if that counts. All I really knew is that I loved Kansas City history, and I loved ghost stories, and I wanted to share that love with my community.

Thank God Dr. Internet was there to guide me.

At the start of any new project in life, the best thing you can do is to acknowledge that you don’t know what you don’t know. It’s always a humbling experience, but it turns into something rewarding along the way when you do. I started by reading every article I could find about how to start a podcast, particularly the step by step guides written for people like me who knew next to nothing. I didn’t know what media hosting was, or that I would need it. And I truly knew nothing about recording software or equipment. There were times, particularly at the beginning, where I thought for sure that I had bitten off more than I could possibly chew.

At those times the only thing that really kept me going was that I had shot my mouth off and said I was starting one.

So I started with the tasks that played best to my strengths. I researched and compiled a list of haunted areas around the Kansas City area. I pulled articles about the places I wanted to highlight for the first set of episodes and began to identify people I would eventually want to talk to get more information. Then I started to write, and edit, and edit. And edit some more. Writing when you know it’s going to be converted to the spoken word is a whole different style. Especially when you’re gonna be the one doing the speaking. Also especially when you hate the sound of your own voice.

The most daunting obstacles were on the technical side. As a writer, I didn’t know anything about recording software or equipment, building a website that could handle media files, how to get the podcast distributed on iTunes and Stitcher and had never even heard of media hosting. Quite frankly, once I got to this stage of development, I started to worry about cost. I had no problem putting in the sweat equity to get this project off the ground, but I am not a man of means at the moment, so there was a limit to the amount of cash I was willing or able to sink in.

The fact that I was worried about it truly proved that I didn’t know what I didn’t know.

It turns out there is a free recording software called Audacity that a lot of beginning podcasters use. I really, really like free. It also turns out that for $7 a month I could get set up on Libsyn, a media hosting site that not only houses the website, but also pushes the podcast out to all the podcasting directories (after submitting the podcast to them and getting approval). And their walk-throughs regarding all the technical tasks (except recording) were game changers. It took a series of tasks I had no idea needed to be accomplished and helped me tackle them in a single night.

For $15 I own the domain spiritsontheplains.com helping people find my podcast with ease. And I bought the lifetime rights to the song I am using for theme music for $10. And the basic mic I needed ran me $30 on Amazon.

A sunk cost of $55 and $84 in yearly costs to get a creative project off the ground. My hobbies of reading, running and golf each cost more than that. Hell, my internet and streaming cost more than that per month. This is a steal at twice the price.

Then I moved on to actually recording the first episode and playing with the software. Wanna talk about getting lost in the fucking weeds? I seriously hate the sound of my own voice, so pushing past that alone took some effort. I also learned that I breathe, like a lot. Quite possibly more than I should. And it’s loud. So it would be fair to say there was a learning curve with all that. And that there were moments I was very thankful that I live alone.

It got exciting when I started to learn some tricks that made me feel cool. I learned how to fade audio in, fade audio out, run it in the background while I spoke. I learned how to edit out the worst of the errors. And I grinned like a fucking idiot the entire time.

I also learned that it is in fact possible to grow tired of the sound of your own voice. And that I have a lot to learn about getting comfortable talking into a mic, which is ironic given the fact I’ve spent time as a speech writer.

This experience has been rewarding in ways I can’t even articulate. It’s been beyond surreal to see my podcast, something I created, available on platforms like iTunes and Stitcher. Seriously, I can’t stop opening the apps and looking at it.

I also spent more time than I care to admit dancing around my apartment this weekend. I am unapologetic about my state of childlike joy. And again, because of the terrible dancing, I am glad I live alone.

There is zero chance this would have happened without the support, wisdom and advice of my friends. Some of them simply cheered me on. Others were experts in areas where I needed, well an expert, and were generous, giving and patient with their advice. All of them were supportive every step of the way.

I am constantly amazed at how fortunate I am to have such wonderful people in my life.

It’s terrifying and exhilarating to put something like that out into the world. I’m excited to grow as this project continues to move forward.

Now go download it and give me a five-star review.

The Last Movie Review

The Last Movie

So I recently listened to The Last Movie, and would highly recommend anyone who enjoys docudrama podcasts and a journey into the macabre go download all six episodes right now. Seriously, it was raw, intense and dynamic in a number of ways. Given the stock it comes from, I had high expectations going in. And they were not only met, but exceeded.

Before I get more into The Last Movie let me give a little bit of history. It was developed by Public Radio Alliance, the same production company that puts out Black Tapes, Tanis and Rabbits all podcasts that I thoroughly enjoy. It is billed as a spin-off of Tanis (currently airing its fourth season) primarily because the two shows have the same hosts, Nic Silver and MK. The shows all share the same dark tone while journeying into the supernatural, mysterious and clandestine.

But The Last Movie is the first from this studio to drop the entire first season (six episodes) all at once. In short, it was the first one to offer a binge option right off the bat.

In their own words:

Tanis podcast host Nic Silver and regular contributor MK, explore the possible existence of “The Last Movie,” an infamous underground feature film, reputed to drive you insane. Legend has it that every screening of this film was surrounded by bloodshed and controversy: one reviewer actually described slipping on blood in the aisle, as he ran through dozens of people trying to tear him apart. 

The podcast starts with MK going down a rabbit hole in an attempt to find  something called The Last Movie, an attempt met with innuendo and rumors of demonic behavior and a scene involving movie goers that reminds me of the second season of True Blood, when Marryann Forrester takes over the town of Bon Tempes.

The narrative takes the listener through the shroud of mystery surrounding a director thought to be dead, an obscure cult with a deadly history, and the over eager daughter of an actress who is not what she seems.

The series, narrated primarily by Nic Silver in a subtle tone of voice accentuated with MK’s more abrupt style starts with the gas pedal on the floorboard and never hits the brakes once. It’s a balls to the wall journey that leaves the listener pacing back and forth waiting for season two.

And whether they admit it or not, wanting to watch the elusive Last Movie.

The Art of Tunneling

Writing Journey

Last week I listened to a podcast called Tunnels, and the creator said something in an author’s note he tacked on to the beginning that resonated with me. He pretty much announced that the first season wasn’t very good (the podcast is on season three) because he was a first time podcaster and was essentially learning on the job. He flat out said that he had no idea what he was doing. And he was right, season two was much better than season one. But more importantly, you could see the creator’s passion for creative content throughout.

This is not a review of Tunnels, what I want to talk about is this concept that it is okay to suck at something while you are learning to do it. It is okay to suck at something while putting yourself out there and learning at the same time. That it is okay to suck at something and bring people along on your journey as you learn. Because I am late to this party, and this concept is a wonderful game changer for me.

This runs completely counter to my life experiences so far. I was raised in a house where accomplishment, achievement and intellect were expectations. It was about the trophies, and winning as though the skills were supposed to be downloaded instantaneously like Neo from the Matrix when he learned Kung Fu. No attention or space was given to the idea of growth, and the idea of sucking at something while you learned, or worse, failing at something, was not tolerated. Period.

As if that wasn’t enough, I went into politics and then nonprofit fundraising. These are two industries where the stakes are high, the learning curve is steep and unforgiving, and consequences for failure are significantly higher than other industries.

I’ve let the fear of criticism be a primary motivator in my life for far too long. And it has prevented me from doing the things that I actually want to do.

In short, the idea that is okay to suck at something while you are learning how to do it is foreign to me. This discovery is like a brand new tool I am just learning how to use. I can already tell I am going to like it. This concept plays well with my constant sense of wonder and imagination, the two things that most fuel my creative drive.

This concept, which puts attention on the journey and the growth, is going to be key in terms of pushing myself to put my work out there. I’ve been so worried about creating superior quality,  that I forgot that creative writing degree and talents as a wordsmith in and of themselves are not enough. It is a good start, maybe even a running start. But it is a running start on a long journey, and knowing that it doesn’t have to be perfect is definitely going to help with creative paralysis, in fact it already is.

The ghosts of our past don’t have to define or present and don’t get to define our future.

Medium Matters

Art is Freedom

I’m going to spend a lot of time talking about creative content, and I wanted to take an opportunity to tell you what I love about each creative medium. They each have a unique way of storytelling. I’m sure there are mediums I am missing or haven’t been exposed to yet, but for now I am going to stick to those I am exposed to on a frequent basis.

Books

Books were my first love, and still my favorite. I can read a book from start to finish in a day, real world be damned. The experience of an author’s unique voice, and the fact that no matter how descriptive he or she gets, the images of the world and characters they create come from my head, making me feel like I am part of the experience.

Audiobooks

A good narrator can bring a book to life (a shitty narrator can also kill one) while still allowing the listener to get absorbed in the world the writer creates. Audiobooks fill the nooks and crannies of life that don’t require your full attention, allowing for the enjoyment of even more content.

Podcasts

I’m relatively new to the podcast world compared to other forms of creative content. Like half the country, I was drawn in by the first season of Serial (which was amazing in case you missed it) and wanted more. One of the taglines from the podcasting community is “It’s television for your ears.” And that’s the best way to describe it. There’s something for everyone, from journalism to docudramas. From the darker corners of life to reliving your favorite television series.

Television

If books were my first love, television was my second. My first TV memories are re-runs of Lost in Space and the original Star Trek on summer mornings. I came of age at the start of the Golden Age of television, with Friends, X-Files, 90210 (the original, not that shitty remake) and my love has continued to grow as TV evolves. Like books, binging gives the opportunity to spend a day getting immersed in a different world. And a TV season allows for story and character arcs to develop over time, allowing writers to play a long game (ratings permitting).

Movies

I’ll be the first to admit I don’t get out to the movies as much. I don’t really feel like paying $10+ for just the ticket to the cinematic experience. That puts me in a lot of danger when it comes to spoilers and buzz. That being said, who doesn’t love a great movie? Everyone loves Star Wars and has an opinion on Ewoks. Quentin Tarentino changed the rules on how movies were made with Pulp Fiction. And you can get a full story, complete with a sweeping character arc in about 2 hours. And the dramatic effects bring their stories to life, I mean who doesn’t like special effects?

Comics

Much like podcasts, I am a relative newcomer. The cinematic and television universes have done a tremendous job of opening up the world of comics. I also started listening to Jay & Miles Xplain the X-Men and that got me going. Once that door was open, I quickly learned that comics aren’t just for kids (Walking Dead, Sandman, Watchmen) and that their stories have all the complexity and depth of any other medium. They blend the narrative benefits of books with the dramatic effects of art and play a long game that can span years if not decades. And they can retcon (retroactive continuity) whatever they want to suit the present narrative, which is part of the fun.

Performing Arts

Although there are significant differences between the three main types of performances I frequent (Play, Musical and Opera), for the purposes of this post I am grouping them together. The performing arts provide a uniquely intimate experience. Being part of a live audience is to share the same space as the performers. You are surrounded by the experience. A shared experience between you and the performer, and no other medium can replicate that.

This list is incomplete, and so are the descriptions. For the moment they are meant to be. I wanted to get the overview out of my system and out of the way. I will definitely be expanding on each of these, and exploring more over time. Exploring content is a constant and never ending journey.